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The following editions, which use conventions for performers, are arranged chronologically.

  1. Martin Peerson: Anonymous Six-Part Fantasia attrib. Peerson, London: Viola da Gamba Society Supplementary Publications No. 138, London, 1981, pp. 13.

  2. Alfonso Ferrabosco the Younger: Lamentations for Five Voices, English Church Music No. 17C, London: Mapa Mundi, 1982, pp.12.

  3. John Coprario: The Five Part Consort Music I, Harpenden: Golden Phoenix Publications, 1989, pp. 36 (in each of five books).

  4. John Coprario: The Five-Part Consort Music II, Harpenden: Golden Phoenix Publications, 1989, pp. 32 (in each of five books).

  5. Giovanni Gabrieli: Jubilate Deo (a 8) [C136] (with Clifford Bartlett), Huntingdon, Cambridgeshire: King’s Music No. 34: 1989, pp. ii, 14 (and parts).

  6. Giovanni Gabrieli: Audite principes (a 16) [C123], Huntingdon, Cambridgeshire: King’s Music No. 59, 1990, pp. ii, 31 (and parts).

  7. Giovanni Gabrieli: Canzon seconda a 4 [C187], Huntingdon, Cambridgeshire: King’s Music No. 69, 1990, pp. 4 (and parts).

  8. Giovanni Gabrieli: Sonata XXI con tre violini, (1615) [C214], Huntingdon, Cambridgeshire: King’s Music No. 101, 1990, pp. i, 4 (and parts).

  9. Richard Dering: Two Motets, London: Novello & Co Ltd., 1990, pp. ii, 12.

  10. Alfonso Ferrabosco I: Pavan and Three In Nomines a 5 (Tr Tr T T B), London: Viola da Gamba Society Supplementary Publications No. 159, 1990, pp. 38.

  11. Andrea Gabrieli: Kyrie (1587), Huntingdon, Cambridgeshire: King’s Music No. 156, 1991, pp. ii, 20 (and parts).

  12. Andrea Gabrieli: Sanctus (1587), Huntingdon, Cambridgeshire: King’s Music No. 157, 1991, pp. ii, 12 (and parts).

  13. Giovanni Gabrieli: Magnificat (a 14), (1615) [C79], Huntingdon, Cambridgeshire: King’s Music No. 82, 1991, pp. ii, 29 (and parts).

  14. Giovanni Gabrieli: Timor et tremor (a 6) [C142], Huntingdon, Cambridgeshire: King’s Music No. 90, 1991, pp. ii, 10.

  15. Giovanni Gabrieli: Sonata XX (a 22), (1615) [C213], Huntingdon, Cambridgeshire: King’s Music No. 102, 1991, pp. ii, 29 (and parts).

  16. Giovanni Gabrieli: O Jesu mi dulcissime (a 8) (MS Setting) [C140], Huntingdon, Cambridgeshire: King’s Music No. 103, 1990 [recte 1991], pp. ii, 11.

  17. Giovanni Gabrieli: Canzon XVII (a 12), (1615) [C210], Huntingdon, Cambridge: King’s Music No. 104, 1990 [recte 1991], pp. ii, 18 (and parts).

  18. Giovanni Gabrieli: Sonata XVIII (a 14), (1615) [C211], Huntingdon, Cambridgeshire: King’s Music No. 105, 1990 [recte 1991], pp. ii, 30 (and parts).

  19. Giovanni Gabrieli: Canzon XI in echo duodecimi toni (a 10), (1597) [C180], Huntingdon, Cambridgeshire: King’s Music No. 106, 1990 [recte 1991], pp. ii, 20 (and parts).

  20. Giovanni Gabrieli: Sonata pian e forte (a 8), (1597) [C175], Huntingdon, Cambridgeshire: King’s Music No. 107, 1990 [recte 1991], pp. ii, 9 (and parts).

  21. Giovanni Gabrieli: Hic est filius Dei (a 18) [C132], Huntingdon, Cambridgeshire: King’s Music No. 108, 1990 [recte 1991], pp. ii, 27 (and parts).

  22. Giovanni Gabrieli: Jubilate Deo (a 8) (MS Setting) [C135], Huntingdon, Cambridgeshire: King’s Music No. 109, 1990 [recte 1991], pp. ii, 12 (and parts).

  23. Giovanni Gabrieli: Miserere/Gloria (a 4/a 8) [C137/C138]; Christian Erbach: Gloria (a 4), Huntingdon, Cambridgeshire: King’s Music No. 110, 1990 [recte 1991], pp. iv, 20.

  24. Giovanni Gabrieli: Salvator noster (a 15) (1615) [C80], Huntingdon, Cambridgeshire: King’s Music No. 167, 1991, pp. ii, 36 (and parts).

  25. Claudio Monteverdi: Confitebor III alla francese (a 5, and continuo) (1641), Huntingdon, Cambridgeshire: King’s Music No. 162, 1991, pp. ii, 12 (and parts).

  26. John Coprario: The Five-Part Consort Music III, London: Fretwork Editions, 1992, pp. ii, 33 (in each of five books).

  27. Giovanni Gabrieli: Kyrie eleison (a 5) [C71], Christe eleison (a 8) [C72], Kyrie eleison (a 12) [C73] (1615), Huntingdon, Cambridgeshire: King’s Music No. 152k, 1992, pp. ii, 18 (and parts).

  28. Giovanni Gabrieli: Sanctus (a 12) (1615) [C74], Huntingdon, Cambridgeshire: King’s Music No. 152s, 1992, pp. ii, 15 (and parts).

  29. Giovanni Gabrieli: O Jesu Christe (a 6) [C139], Huntingdon, Cambridgeshire: King’s Music No. 94, 1993, pp. 8.

  30. Giovanni Gabrieli: Hodie Christus a mortuis (a 12) [C133], Huntingdon, Cambridgeshire: King’s Music No. 95, 1993, pp. ii, 28 (and parts).

  31. Giovanni Gabrieli: Quem vidistis pastores (a 14), (1615) [C77], Huntingdon, Cambridgeshire: King’s Music No. 154, 1993, pp. ii, 18 (and parts).

  32. Giovanni Gabrieli: Surrexit Christus (a 12, or a 16) [C141], Huntingdon, Cambridgeshire: King’s Music No. 93, 1993, pp. ii, 14 (and parts).

  33. Giovanni Gabrieli: Canzon in echo duodecimi toni per concertar con l’organo (a 10) (1597) [C181], Huntingdon, Cambridgeshire: King’s Music No. 366, 1993, pp. iv, 20 (and parts).

  34. Giovanni Bassano: Motet ‘Ave Regina coelorum’ for Twelve Voices, Baroque Music Series No. 11, Albany, California: PRB Productions, 1994, pp. ii, 18 (and parts).

  35. Giovanni Bassano: Deus, qui beatum Marcum (a 8), A due cori No. 24, Brighton: London Pro Musica Edition, 1994, pp. ii, 7 (and parts).

  36. Giovanni Bassano: Hodie Christus natus est (a 7), A due cori No. 26, Brighton: London Pro Musica Edition, 1994, pp. ii, 7 (and parts).

  37. Giovanni Gabrieli: Motet ‘In ecclesiis’ for Four Solo Voices, SATB Choir, Three Cornetti, Viola and Two Trombones [C78], Baroque Music Series No. 6, Albany, California: PRB Productions, 1994, pp. iv, 20 (and vocal scores and parts).

  38. Giovanni Gabrieli: Motet ‘Sancta et immaculata virginitas’ for Eight Voices [C153], Baroque Music Series No. 9, Albany, California: PRB Productions, 1994, pp. ii, 10.

  39. Giovanni Gabrieli: Motet ‘O gloriosa virgo’ for Twelve Voices or Voices and Instruments [C68], Baroque Music Series No. 10, Albany, California: PRB Productions, 1994, pp. iii, 25 (and parts).

  40. Giovanni Gabrieli: Jubilate Deo, a 10 (1615) [C65], Huntingdon, Cambridgeshire: King’s Music No. 388, 1994, pp. ii, 12 (and parts).

  41. Giovanni Gabrieli: Surrexit Christus, a 11 (1615) [C66], Huntingdon, Cambridgeshire: King’s Music No. 389, 1994, pp. ii, 8 (and parts).

  42. Wilhelm Lichtlein: Capriccio di Cornetti a 6; 6 Cornetts (or Recorders or other Treble Instruments), Huntingdon, Cambridgeshire: King’s Music No. 240, 1994, pp. 7 (and parts).

  43. Claudio Monteverdi: Exultent caeli (a 5, and continuo), (with Clifford Bartlett), Huntingdon, Cambridgeshire: King’s Music No. 275, 1994, pp. i, 5 (and parts).

  44. Richard Dering: Two Fantasias a 6 (VdGS Nos. [4] and [6]), London: Viola da Gamba Society Supplementary Publications No. 165, 1995, pp. 20.

  45. Giovanni Gabrieli: Motet ‘Regina coeli’ for Twelve Voices or Voices and Instruments, [C49], Baroque Music Series No. 7, Albany, California: PRB Productions, 1995, pp. ii, 14 (and parts).

  46. Giovanni Gabrieli: O Jesu mi dulcissime, a 8 (1597) [C24], Huntingdon, Cambridgeshire: King’s Music No. 397, 1995, pp. ii, 8.

  47. Giovanni Gabrieli: O Jesu mi dulcissime, a 8 (1615) [C56], Huntingdon, Cambridgeshire: King’s Music No. 398, 1995, pp. ii, 11.

  48. Giovanni Gabrieli: Magnificat, a 17 (1615) [C83], Huntingdon, Cambridgeshire: King’s Music No. 408, 1995, pp. ii, 23 (and parts).

  49. Giovanni Gabrieli: Canzon XIV, a 10 (1615) [C207], Huntingdon, Cambridgeshire: King’s Music No. 475, 1995, pp. ii, 8 (and parts).

  50. Giovanni Gabrieli: Sonata XIX, a 15 (1615) [C212], Huntingdon, Cambridgeshire: King’s Music No. 476, 1995, pp. ii, 24 (and parts).

  51. Giovanni Gabrieli: Domine Deus meus, a 6 [C127], Huntingdon, Cambridgeshire: King’s Music No. 477, 1995, pp. 8.

  52. Giovanni Gabrieli: Misericordia tua Domine, a 12 (1615) [C69], Huntingdon, Cambridgeshire: King’s Music No. 478, 1995, pp. ii, 19 (and parts).

  53. Giovanni Gabrieli: Suscipe clementissime, a 12 (1615) [C70], Huntingdon, Cambridgeshire: King’s Music No. 479, 1995, pp. ii, 18 (and parts).

  54. Giovanni Gabrieli: Buccinate in neomenia tuba, a 19 (1615) [C84], Huntingdon, Cambridgeshire: King’s Music No. 480, 1995, pp. ii, 16 (and parts).

  55. Giovanni Gabrieli: Sonata XIII, a 8 (1615) [C206], Huntingdon, Cambridgeshire: King’s Music No. 481, 1995, pp. ii, 11 (and parts).

  56. Hans Leo Hassler: Motet ‘O sacrum convivium’ for Eight Voices, Baroque Music Series No. 12, Albany, California: PRB Productions, 1995, pp. ii, 14.

  57. Hans Leo Hassler: Motet ‘Jubilate Deo’ for Twelve Voices, Baroque Music Series No. 13, Albany, California: PRB Productions, 1995, pp. iv, 28 (and parts).

  58. Simon Ives: Fantasia a 6 (VdGS No. 2), London: Viola da Gamba Society Supplementary Publications No. 166, 1996, pp. 10.

  59. Richard Dering: O bone Jesu, in High Praise: A Book of Anthems for Upper-Voice Choirs, ed. Barry Rose, London: Novello & Company Ltd., 1997, pp. 74-79.

  60. Giovanni Gabrieli: Udite chiari e generosi figli (a 15) [C121], Huntingdon, Cambridgeshire: King’s Music, No. 577, 1997, pp. 22 (and parts).

  61. John Coprario: Six Two-Part Fantasias arranged for Recorders, London: Fretwork Recorder Editions No. 1, 1998, pp. ii, 15 (and parts).

  62. John Coprario: Five Four-Part Fantasias arranged for Recorders, London: Fretwork Recorder Editions No. 2, 1998, pp. ii, 16 (and parts).

  63. Johann Christian Bach: Domine ad adjuvandum: Vocal Score, Classical Music Series No. 3, Albany, California: PRB Productions, 1999, pp. 12.

  64. Giovanni Croce: Benedictus es, Domine (a 8), Churcham, Gloucester: The Beauchamp Press No. 1169, 1999, pp. ii, 6.

  65. Giovanni Croce: Dic nobis, Maria (a 8), Churcham, Gloucester: The Beauchamp Press, No.BP1168, 1999, pp. ii, 5.

  66. Giovanni Croce: Dialogo de Chori d'Angeli: Ecco l'alma beata (a 10), Churcham, Gloucester: The Beauchamp Press No.BP1172, 1999, pp. ii, 6.

  67. Giovanni Croce: Jubilate Deo (a 7, with continuo), Churcham, Gloucester: The Beauchamp Press No.BP1063, 1999, pp. ii, 8.

  68. Giovanni Croce: Omnes gentes (a 8), Churcham, Gloucester: The Beauchamp Press No.BP1166, 1999, pp. ii, 8.

  69. Giovanni Croce: Ornaverunt faciem templi (a 8), Churcham, Gloucester: The Beauchamp Press No.BP1171, 1999, pp. ii, 8.

  70. Giovanni Croce: Laudate Dominum (a 8), Churcham, Gloucester: The Beauchamp Press No.BP1167, 1999, pp. ii, 7.

  71. Giovanni Croce: Percussit Saul mille (a 8), Churcham, Gloucester: The Beauchamp Press No.BP1170, 1999, pp. ii, 8.

  72. Giovanni Croce: Laudate pueri (a 12), Churcham, Gloucester: The Beauchamp Press No.BP1082, 1999, pp. ii, 18 (and parts).

  73. Giovanni Gabrieli: Canzon I a 5, C195, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2022, 1999, pp. ii, 4 (and parts).

  74. Giovanni Gabrieli: Canzon II a 6, C196, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2023 , 1999, pp. ii, 12 (and parts).

  75. Giovanni Gabrieli: Canzon III a 6, C197, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2024, 1999, pp. ii, 8 (and parts).

  76. Giovanni Gabrieli: Canzon IV a 6, C198, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2025, 1999, pp. ii, 8 (and parts).

  77. Giovanni Gabrieli: Canzon V a 7, C199, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2026, 1999, pp. ii, 8 (and parts).

  78. Giovanni Gabrieli: Canzon VI a 7, C200, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2027, 1999, pp. ii, 9 (and parts).

  79. Giovanni Gabrieli: Canzon VII a 7, C201, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2028, 1999, pp. ii, 12 (and parts).

  80. Giovanni Gabrieli: Canzon VIII a 8, C202, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2029, 1999, pp. ii, 11 (and parts).

  81. Giovanni Gabrieli: Canzon IX a 8, C190, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2030, 1999, pp. ii, 8 (and parts).

  82. Giovanni Gabrieli: Canzon X a 8, C203, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2031, 1999, pp. ii, 11 (and parts).

  83. Giovanni Gabrieli: Canzon XI a 8, C204, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2032, 1999, pp. ii, 10 (and parts).

  84. Giovanni Gabrieli: Canzon XII a 8, C205, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2033, 1999, pp. ii, 8 (and parts).

  85. Giovanni Gabrieli: Sonata XIII a 8, C206, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2034, 1999, pp. ii, 7 (and parts).

  86. Giovanni Gabrieli: Canzon XIV a 10, C207, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2035, 1999, pp. ii, 8 (and parts).

  87. Giovanni Gabrieli: Canzon XV a 10, C208, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2036, 1999, pp. ii, 10 (and parts).

  88. Giovanni Gabrieli: Canzon XVI a 12, C209, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2037, 1999, pp. ii, 16 (and parts).

  89. Giovanni Gabrieli: Canzon XVII a 12, C210, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2038, 1999, pp. ii, 12 (and parts).

  90. Giovanni Gabrieli: Sonata XVIII a 14, C211, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2039, 1999, pp. ii, 27 (and parts).

  91. Giovanni Gabrieli: Sonata XIX a 15, C212, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2040, 1999, pp. ii, 23 (and parts).

  92. Giovanni Gabrieli: Sonata XX a 22, C213, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2018, 1999, pp. ii, 27 (and parts).

  93. Giovanni Gabrieli: Sonata XXI a 4 or a 5, C214, ‘Canzoni et sonate 1615’, Churcham, Gloucester: The Beauchamp Press No.BP2041, 1999, pp. ii, 4 (and parts).

  94. Giovanni Gabrieli: Canzonas I-IV a 4, C186-C189, Churcham, Gloucester: The Beauchamp Press No. BP2047, 2001, pp. ii, 14 (and parts).

  95. Giovanni Gabrieli: Canzon a 12, C193, Churcham, Gloucester: The Beauchamp Press No. BP2048, 2001, pp. ii, 7 (and parts).

  96. Giovanni Bassano: Motet ‘Dic nobis, Maria’ for Six Voices, Baroque Music Series No. 19, Albany, California: PRB Productions, 2002, pp. iv, 10 (and parts).

  97. Giovanni Bassano: Motet ‘O doctor optime’ for Six Voices or Voices and Instruments, Baroque Music Series No. 29, Albany, California: PRB Productions, 2002, pp. ii, 6 (and parts).

  98. Giovanni Bassano: Motet ‘Nativitas tua’ for Seven Voices or Voices and Instruments, Baroque Music Series No. 30, Albany, California: PRB Productions, 2002, pp. ii, 10 (and parts).

  99. Giovanni Bassano: Motet ‘Quem vidistis pastores?’ for Eight Voices or Voices and Instruments, Baroque Music Series No. 31, Albany, California: PRB Productions, 2003, pp. ii, 10 (and parts).

  100. Giovanni Bassano: Motet ‘Cibavit nos’ for Eight Voices or Voices and Instruments, Baroque Music Series No. 32, Albany, California: PRB Productions, 2003, pp. ii, 7 (and parts).

  101. Giovanni Bassano: Motet ‘Canite tuba’ for Eight Voices or Voices and Instruments, Baroque Music Series No. 33, Albany, California: PRB Productions, 2004, pp. ii, 9 (and parts).

  102. Andrea Gabrieli: Kyrie a 5, Christe a 8, Kyrie a 12 (1587), Huntingdon, Cambridgeshire: King’s Music No. 963, 2005, pp. ii, 16 (and parts).

  103. Andrea Gabrieli: Sanctus a 12 (1587), Huntingdon, Cambridgeshire: King's Music No. 964, 2005, pp. ii, 12 (and parts).

  104. Andrea Gabrieli: Gloria a 16 (1587), Huntingdon, Cambridgeshire: King’s Music No. 396, 2005, pp. ii, 20 (and parts).

  105. Giovanni Gabrieli: Confitebor tibi Domine a 13 (from 'Symphoniae Sacrae II', 1615) (C76), Huntingdon, Cambridgeshire: King's Music No. 578, 2005, pp. ii, 32 (and parts).

  106. Giovanni Gabrieli: Confitebor tibi Domine a 13 (from Gruber's 'Reliquiae', 1615) (C154), Huntingdon, Cambridgeshire: King's Music No. 579, 2005, pp. ii, 30 (and parts).

  107. Giovanni Gabrieli: Motet ‘Beata es virgo’ for Six Voices [C8], Baroque Music Series No. 50, Albany, California: PRB Productions, 2008, pp. ii, 7.

  108. Peter Philips:Pavan and Galiarda Dolorosa for Four- or Five-Part Viol Consort, London: Fretwork Arrangements Editions No. 11, 2008, pp. 11 (and parts).

  109. Giovanni Gabrieli: Motet ‘Angelus Domini descendit ’ for Eight Voices
    [C23], Baroque Music Series No. 56, Albany, California: PRB Productions, 2009, pp. ii, 7.

  110. Giovanni Gabrieli: Motet ‘Beati omnes, qui timent Dominum ’ for Eight Voices [C21], Baroque Music Series No. 57, Albany, California: PRB Productions, 2009, pp. ii, 8.

  111. Claudio Monteverdi: Motet 'Laetatus sum' for Two Sopranos, Two Tenors, Two Basses, Two Violins, Two Trombones, Bassoon and Basso Continuo, Baroque Music Series, Albany, California: PRB Productions, in preparation.

 

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