These books may be ordered by contacting the publishers.
The publications use academic conventions and are
arranged chronologically under each heading. Click on a heading in the list immediately below to access relevant publications.
- L'Amorosa Ero: Eighteen
Italian Madrigals for Four Viols,
Voices, or Recorders, Viol
Consort Series
No. 64, Albany,
California: PRB Productions,
2006, pp. xii, 81 (and parts).
- Johann
Christian Bach: Domine ad adjuvandum (Soprano
Solo, SATB Chrous (or Soloists), 2 Oboes, 2
Horns, 2 Violins, Viola, Violoncello and Double
Bass); First Edition, Classical
Music Series No. 3, Albany,
California: PRB Productions, 1998, pp. vi, 33
(and parts).
- Johann
Christian Bach: Laudate pueri (Soprano Solo,
2 Flutes, 2 Oboes, 2 Trumpets, 2 Horns, 3 Violins,
Viola, Violoncello and Double Bass); First
Edition, Classical
Music Series No. 4, Albany, California: PRB Productions, 1998,
pp. vi, 78 (and parts).
- Johann
Christian Bach: Laudate pueri (Soprano and Tenor
Soloists, 2 Oboes, 2 Flutes, 2
Horns, 2 Violins, Viola, Violoncello and Double
Bass), Classical
Music Series No. 5, Albany, California: PRB Productions,
1999, pp. viii, 126 (and parts).
- Giovanni
Bassano: The Three-Part Consort Music, London: Fretwork
Editions No. 5, 1991, pp. v, 41 (and parts).
- Giovanni
Bassano: Opera omnia, four
volumes in Corpus mensurabilis musicae
No. 101:
Volume
I: Holzgerlingen:
American Institute of Musicology and Hänssler-Verlag, 1999;
Volume
II: Middleton, Wisconsin: American Institue
of Musicology and A-R Editions, Inc., 2003;
Volumes IIIIV: in preparation.
Volume
I: Giovanni Bassano, The Sacred Vocal Works I: Motetti
per concerti ecclesiastici a 5. 6. 7. 8. & 12. voci (Venice,
1598), Holzgerlingen: American Institute of Musicology and Hänssler-Verlag,
1999, pp. lxiii, 185.
- Giovanni
Bassano: Opera omnia, Corpus
mensurabilis musicae No. 101, Volume II: The
Sacred Vocal Works II: Concerti ecclesiastici
a cinque, sei, sette, otto, & dodeci voci (Venice, 1599), Middleton,
Wisconsin: American Institue of Musicology and
A-R Editions, Inc., 2003,
pp. lvii, 189.
- Giovanni
Bassano: Opera omnia, Corpus
mensurabilis musicae No. 101,Volume
III: The
Secular Works, in preparation.
- Giovanni
Bassano: Opera omnia, Corpus
mensurabilis musicae No. 101,
Volume
IV: The
Instrumental Works, in preparation.
- John
Coprario: Fantasia-Suites, Musica
Britannica, volume 46, London: Royal Musical Association
and Stainer & Bell, 1980, pp. xxx, 188.
- John
Coprario, The Five-Part Pieces, Corpus
mensurabilis musicae No. 92, Neuhausen-Stuttgart: American
Institute of Musicology and Hänssler-Verlag, 1981, pp. xxviii,
222.
- John
Coprario: Twelve Fantasias for Two Bass Viols and Organ and Eleven Pieces
for Three Lyra Viols, Recent
Researches in the Music of the Baroque Era No.
41, Madison,
Wisconsin: A-R Editions, Inc., 1982, (two volumes) pp. xvi, 110, 43.
- John
Coprario: The Six Part Consorts and Madrigals, Kilkenny:
Boethius Editions No. 3, 1982, pp. xiv, 92 (and parts).
- John
Coprario: The Two-, Three- and Four-Part Consort
Music, London: Fretwork Editions No. 4, 1991; 2nd edition, revised, 1993, pp.
xvi, 65 (and parts); new edition of parts, 2002.
- John
Coprario: The Six-Part Pieces, Viol
Consort Series No. 45, Albany, California: PRB Productions, 2002, pp.
viii, 28 (and parts).
- John Coprario:
The Fantasias for Two Bass Viols
and Organ, Viol
Consort Series No. 54, Albany,
California: PRB Productions, 2005,
pp. xviii, 41 (and parts).
- Giovanni Croce: First Book of Motets for Eight Voices and Organ, edited by Richard Charteris with the assistance of Michael Procter ( Hillsdale, New York: Pendragon Press, 2014), pp. lxxvi, 256.
- Alfonso
Ferrabosco the Elder (1543-1588): Opera Omnia, nine
volumes in Corpus mensurabilis
musicae No. 96, Neuhausen-Stuttgart: American Institute of Musicology
and Hänssler-Verlag, 1984-1988:
Volume
I: Motets, Neuhausen-Stuttgart: American
Institute of Musicology and Hänssler-Verlag, 1984, pp. xx, 202.
- Alfonso
Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus
mensurabilis musicae No. 96, Volume II: Motets,
Lamentations, An Anthem and Incomplete Motets, Neuhausen-Stuttgart:
American Institute of Musicology and Hänssler-Verlag, 1984, pp.
xxii, 211.
- Alfonso
Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus
mensurabilis musicae No. 96, Volume III: Latin Songs, French Chansons and English Songs,
Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag,
1984, pp. xx, 71.
- Alfonso
Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus
mensurabilis musicae No. 96, Volume IV: Il
Primo Libro de Madrigali a Cinque (Venice, 1587), Neuhausen-Stuttgart:
American Institute of Musicology and Hänssler-Verlag, 1986, pp.
xxii, 174.
- Alfonso
Ferrabosco the Elder (1543-1588): Opera Omnia,
Corpus mensurabilis musicae No. 96, Volume
V: Il Secondo Libro de Madrigali
a Cinque (Venice, 1587), Neuhausen-Stuttgart: American
Institute of Musicology and Hänssler-Verlag, 1986, pp. xx, 137.
- Alfonso
Ferrabosco the Elder (1543-1588): Opera Omnia,
Corpus mensurabilis musicae No. 96, Volume
VI: Italian Madrigals in Manuscript
and Printed Anthologies I, Neuhausen-Stuttgart: American
Institute of Musicology and Hänssler-Verlag, 1987, pp. xxii, 183.
- Alfonso
Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus
mensurabilis musicae No. 96, Volume VII: Italian
Madrigals in Manuscript and Printed Anthologies
II, Neuhausen-Stuttgart:
American Institute of Musicology and Hänssler-Verlag, 1987, pp.
xviii, 165.
- Alfonso
Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus
mensurabilis musicae No. 96, Volume VIII: Italian
Madrigals in Manuscript and Printed Anthologies
III, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag,
1987, pp. xvi, 154.
- Alfonso
Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus
mensurabilis musicae No. 96, Volume IX: Instrumental
Music, Neuhausen-Stuttgart: American Institute of Musicology
and Hänssler-Verlag, 1988, pp. xxi, 198.
- Domenico
Maria Ferrabosco (1513-1574): Opera omnia, Corpus
mensurabilis musicae No. 102, Neuhausen-Stuttgart: American
Institute of Musicology and Hänssler-Verlag, 1992, pp. ci, 220.
- Giovanni
Gabrieli: Opera omnia, twelve volumes in Corpus
mensurabilis musicae No. 12:
Volumes
IV-V, VII-XI: Neuhausen-Stuttgart/Holzgerlingen: American
Institute of Musicology and Hänssler-Verlag, 1991-2000;
Volume
VII: Middleton, Wisconsin: American Institue of Musicology
and A-R Editions, Inc., 2003;
Volumes I-III, VI
and XII:
in preparation.
Volume
I: Motets in Concerti (Venice, 1587) and
Sacrae symphoniae (Venice, 1597) I, in
preparation.
- Giovanni
Gabrieli: Opera omnia, Corpus
mensurabilis musicae No. 12, Volume II: Motets
in 'Sacrae symphoniae' (Venice, 1597) II, in preparation.
- Giovanni
Gabrieli: Opera omnia,
Corpus mensurabilis musicae No. 12, Volume
III: Motets in 'Symphoniae sacrae'
(Venice, 1615) I, in preparation.
- Giovanni
Gabrieli: Opera omnia,
Corpus mensurabilis musicae No. 12, Volume
IV: Motets in 'Symphoniae sacrae'
(Venice, 1615) II, Holzgerlingen: American Institute
of Musicology and Hänssler-Verlag, 2000, pp. xlv, 204.
- Giovanni
Gabrieli: Opera omnia,
Corpus mensurabilis musicae No. 12, Volume
V: Motets in 'Symphoniae sacrae'
(Venice, 1615) III, Neuhausen-Stuttgart: American Institute
of Musicology and Hänssler-Verlag, 1996, pp. xlvi, 256.
- Giovanni
Gabrieli: Opera omnia, Corpus
mensurabilis musicae No. 12, Volume VI: Madrigals, in preparation.
- Giovanni
Gabrieli: Opera omnia,
Corpus mensurabilis musicae No. 12, Volume
VII: Motets in Manuscript Sources
and Printed Anthologies I, Neuhausen-Stuttgart:
American Institute of Musicology and Hänssler-Verlag, 1991.
Middleton,
Wisconsin: American Institute of Musicology and
A-R Editions, Inc., 2003, pp. li, 212.
- Giovanni
Gabrieli: Opera omnia, Corpus
mensurabilis musicae No. 12, Volume VIII: Motets
in Manuscript Sources and Printed Anthologies
II, Neuhausen-Stuttgart:
American Institute of Musicology and Hänssler-Verlag, 1996, pp.
xl, 204.
- Giovanni
Gabrieli: Opera omnia, Corpus
mensurabilis musicae No. 12, Volume IX: Incomplete
Motets, Miscellaneous Works and Contrafacta in
Manuscript Sources and Printed Anthologies, Neuhausen-Stuttgart: American Institute
of Musicology and Hänssler-Verlag, 1996, pp. liii, 307.
- Giovanni
Gabrieli: Opera omnia, Corpus
mensurabilis musicae No. 12, Volume X: Instrumental
Ensemble Works in 'Sacrae symphoniae' (Venice,
1597), Printed Anthologies and Manuscript Sources, Neuhausen-Stuttgart: American
Institute of Musicology and Hänssler-Verlag, 1998, pp. lxix, 222.
- Giovanni
Gabrieli: Opera omnia, Corpus
mensurabilis musicae No. 12, Volume XI: Instrumental
Ensemble Works in 'Canzoni et sonate' (Venice,
1615), Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag,
1998, pp. xlix, 275.
- Giovanni
Gabrieli: Opera omnia, Corpus
mensurabilis musicae No. 12, Volume XII: Keyboard Works, in preparation.
- John
Hingeston: Fantasia-Suites for Two Violins, Bass Viol and Organ, Viol Consort Series No. 22, Albany,
California: PRB Productions, 1996, pp. vi, 42 (and parts).
- John
Hingeston: Fantasia-Suites for Two Trebles, Bass Viol and Organ, Viol Consort Series No. 25, Albany,
California: PRB Productions, 1996, pp. vi, 32 (and parts).
- John
Hingeston: Fantasia-Suites for Violin, Bass Viol and Organ, Viol Consort Series No. 47, Albany,
California: PRB Productions, 2003, pp. xx, 67 (and parts).
- Thomas
Lupo: The Complete Vocal Music,
Kilkenny: Boethius Editions No. 2, 1982, pp. x, 168.
- Thomas
Lupo: The Four-Part Consort Music (ed. Richard Charteris and John M. Jennings), Kilkenny: Boethius Editions No. 4, 1983, pp.
x, 89 (and parts).
- Thomas
Lupo: The Two- and Three-Part Consort Music, Kilkenny:
Boethius Editions No. 8, 1987, pp. xvi, 154 (and parts).
- Thomas
Lupo: The Six-Part Consort Music,
London: Fretwork Editions No. 9, 1993, pp. xiv, 45 (and parts).
- Thomas
Lupo: The Five-Part Pieces,
Volume I: Nos. 1-18, London: Fretwork Editions No. 13, 1997, pp. xx,
66 (and parts).
- Thomas
Lupo: The Five-Part Pieces,
Volume II: Nos. 19-34, London: Fretwork Editions No. 14, 1998, pp. xvi,
63 (and parts).
- Thomas
Lupo: The Three-Part Consort Music,
London: Fretwork Editions No. 18, 2001, pp. xxx, 55 (and parts).
- Thomas
Lupo: The Four-Part Consort Music,
London: Fretwork Editions No. 22, 2003, pp. xv, 29 (and parts).
- Claudio
Monteverdi: The Third Book of Madrigals for Five Voices (Apt for Voices,
Viols and Recorders), Viol Consort Series No. 34, Albany,
California: PRB Productions, 2000, pp. xviii, 87 (and parts).
- Daniel Purcell: Ode for St. Cecilia's Day 1698, Baroque Music Series No. 48, Albany,
California: PRB Productions, 2007, pp. xix, 50 (and parts).
- William Lawes: Consort Suites for Six Viols and Organ, Viol Consort Series No. 99, Albany,
California: PRB Productions, 2021 pp. xxii, 89 (and parts).
- William Lawes: Consort Suites for Four Viols, Viol Consort Series No. 100, Albany,
California: PRB Productions, 2022, pp.xvi, 26 (and parts).
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